The graphics novel Art Spiegelman’s Pulitzer, who won the Pulitzer Award, is a set of land counting with the Holocaust and a breakthrough in serious comic book art-but its complete achievements are more remarkable and eclectic. Art Spiegelman: The catastrophe is my muse of the composition of his early 1960s as a co -founder of Wacky Balges business cards; his co -establishment of underground comics magazines (with Bill Griffith) and RAW (with his wife Françoise Moul); In the shadow of No Towers, his reaction to September 11, inspired by witnessing the attacks from his house in Dolny Manhattan; Its controversial packaging for New Yorker (1993-2003), which forced NYPD to select the magazine office; and his public reaction to the recent ban on Maus by the Tennessee School Board. Spiegelman proves an eloquent guide with his provocative work, along with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by the unwavering confrontation of personally traumatic topics.
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